Bollywood501 looks at Shyam Benegal's "Ankur" [1974] and
'Middle Cinema' The 'art movie' alternative to Bollywood in Hindi film.

 

 

 

 

Film credits

Ankur

Director: Shyam Benegal Starring: Shabana Azmi, Anant Nag, Sadhu Meher, Priya Tendilkar Story Writer: Shyam Benegal Dialogue: Pandit Satyadev Dubey Cinematography: Govind Nihalani, Kamath Ghanekar Music: Vantraj Bhatia

 

1.

"Ankur" (The Seedling) was Shyam Benegal's first feature film as a writer and director. It was also Shabana Azmi, the first lady of Hindi art cinema's debut as a film actress. "Ankur" is also considered the founding film of the Indian art cinema movement that blossomed in the 1970s and came to be known as, 'Middle Cinema', Parallel Film', the 'Indian New Wave', and 'New Indian Cinema'. For fans of Bollywood movies who has heard of Middle Cinema or Parallel Film but have never actually seen one, "Ankur" is definitely the first place to start your viewing.

From the mid 1970s to the first years of the 1980s the New Indian Cinema gained prominence within India and on the international stage with an array of stunning films that focused on themes of social significance particular to Indian culture. It was a flowering point where intellectual cinema met popular favor, 'art' and entertainment coexisted side by side, parallel so to speak.

Today there exists a sort of romantic nostalgia for these films and that time, within the Indian film industry. The Impact of Middle Cinema is so great in the minds of the Indian public, critics, and film makers that nearly 30 years after the movement's apex references and comparisons are still made to it's oeuvre.

 

2.

"Ankur" as a film deserves all of the critical praise that has been lavished over it. It was an unusual and groundbreaking film for its time. "Ankur"s story unfolds within it's own small microcosm that is the farmhouse and property of a landowner in a rural Indian village. The movie takes a critical look at class structure in rural India and focuses on the psychological and behavioral underpinnings it has imposed onto it's characters.

Unlike many Indian films "Ankur" goes against its usual semiotics of intense symbolism and the framework of community influenced dramatic conflict. Instead the film focuses on two characters and their complex and egocentric needs and desires that are carried out as if in their own vacuum with the rest of the world as a separately observed other, and concurrently they seem to be observed at a distace by the outside world.

Shyam's direction is crisp, direct, and wholly naturalistic. Action unfolds within the film with character to character interaction that is often expressed with silent glances and reactions. The actors are transcendent. Shabana Azmi (in her film debut) and Anent Nag went on to win National Film Awards as Best Actress and Actor for their performances in "Ankur".

 

3.

"Ankur" is engrossing and stays in your mind long after the film is over. Shyam Benegal and New Indian Cinema in general have been noted for portraying India as a place of harsh and brutal realities, "Ankur" is no exception to this claim. This film is not a tragedy though. "Ankur" leaves one with a quiet feeling of dignity and grace. And as the film sinks into your mind there is that 'seedling' , that emotion of being uplifted and a sense that one has just observed a triumph.

 

 

 

 

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first uploaded: 07.28.03

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